During the days those taking part in the common work will be guided to learn ,organically, a training useful to develop the pre-expressive quality of the actor. This kind of phisical training don't take into consideration the sentiments of the actors,his identification with the character :we'll not walk in the direction of the "expression". The "pre-expressiveness",in the meaning explained by the theatrical antropology,is the necessary condition to any other following training,it's the starting line and as aim it have the intensification of the "stage life" of any kind of actor : to become a presence that conquer , cinesteticamente,the attention of the audience.

first phase :consciousness of the body/instrument

Second phase : from th Dynamic Expressiveness to the Static Neutrality

The dynamics and expressives possibilties of the body's moving centres will be explored analysing the "prossemica" qualitiy of the comunication : the grammar that regulate the distance between the people. The second phase of the work will finish with a re-composition of the differents centres that have as aim the construction of a neutal,static,posture : pre-espressivness condition necessary to the last phase of the work.

Third phase: Neutral Dynamic ed Inter-action